Need to Change My Writing Process

Given the time it’s taking to revise my manuscripts, it’s pretty obvious my process kind of sucks. I know some writers approach their first draft as the “junk draft” so they aren’t pressured to produce a masterpiece right away, but I’ve given myself entirely too much freedom to suck.

With my first novel, some drafts actually made its way to several agent desks, but it didn’t get much further than that. A handful of agents bothered to read the MS before they realized the hooks of my first paragraphs weren’t replicated in the following chapters. According to most of my test readers, the interesting bits are in the latter half. Though it’s a fairly obvious inference, superior plotting would probably have made the thing more consistently interesting (hence my current desire to revise the whole thing).

The more I write and revise, the more I believe I should go full Plotter and stop being an unholy Plotter-Pantser hybrid. That’s to say, my novels could benefit from having the major plot points laid out from the get-go.

Anyway, I’ve been somewhat busy—with my non-writing career(s), traveling up the eastern seaboard, and spending quality time with the people in my life—but I won’t pretend I haven’t been lazy in revising my novels (e.g., I’m writing this post instead of working on the MSS). I need more discipline, and I need a new process.

Any suggestions?

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Yallwest 2016 Impressions

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After weeks of covert activities in April, I capped off the month by volunteering at Yallwest 2016 in Santa Monica. Though I put in more hours of work than any sane volunteer, and didn’t spend much time as an attendee, there was a lot of good extracted from the experience: I had the chance to be awkward next to authors who are living my dream, got a glimpse into how the event is organized, and observed the YA fandom in the wild.

First Author Sightings

When I arrived at Santa Monica High School, one of the event organizers brought me to a classroom in tucked-away corner of campus. There was a group of women seated around pushed-together desks doing what I assumed was some kind of crafting. I smiled and gave a cursory wave to them as the organizer led me to a pile of boxes where I exchanged a medium-sized volunteer shirt for a large—I should’ve known a unisex medium at a YA festival would be too small.

The organizer then gave me my first assignment: stuffing festival wristbands into envelopes for attendees. There was one free chair at the far end of the circle of women. One of the women said I could take that chair because Veronica abandoned them to do some other work. I glanced at this Veronica, who had only recently vacated the seat, and realized it was the author of the Divergent series. Rather than steal Veronica Roth’s chair, I grabbed another from the center of the room. When I sat down, I realized the woman beside me was Marie Lu, author of the Legend and The Young Elites series.

The table was surrounded with established authors.

I was one of the few unpublished people at the table (on my left was Adele Walsh, an organizer of big YA stuff in Australia and New Zealand). Not wanting to seem like a pushy fan or a desperate-to-network author, I limited my words to business matters: envelope-stuffing business.

“Can I get some more orange [wristbands]?” Thanks, Sarah Enni.

“I need some more golds.” Thanks, Veronica Roth.

Well, I did mutter a single joke under my breath at some point. Only Marie Lu heard and quietly laughed. I don’t remember what the joke was, though. For the most part, I stuffed envelopes and listened. Veronica Roth shared about how, one month after she’d gotten her pixie haircut, her mother copied her hairdo and now they walk around looking alike. Someone also brought up the supposed fact that Australian authors showed they liked you by saying mean things to you (I believe Amie Kaufman confirmed this). After Ms. Lu left to do something else (chalking?), another volunteer showed up and I someone less intimidating to chat with.

FYI, if you were an attendee and your wristbands weren’t already separated at the perforation when you got them, it’s because Veronica Roth voiced idea that you should do it yourself.

Fans (and Having Fans)

The lines for signings at Yallwest ranged from hundreds of fans to handfuls. No matter the size of the line, however, the enthusiasm people had to get their books signed was inspiring.

While I was floating around the signing area, two women (perhaps, a mother and her teen daughter) asked me for Barnabas Miller who, I admit, I’d never heard of. However, I had noticed two men sitting at a signing table get up and leave a few minutes earlier. I told the women as much and added that the men might be back.

The women left and, sure enough, one of the men returned a minute later. He wasn’t Barnabas Miller, but he was Miller’s editor and author-friend, Daniel Ehrenhaft. It was a single fan missed and disappointed, but Ehrenhaft was visibly upset. He, I assume, hit Miller up on his phone and got him to hustle back to the signing table. After ten minutes or so, while I continued my volunteer duties, Miller and his fan returned. The girl had brought a friend (and ditched her mom). They had their books signed and looked damn happy about it. It was the feel good moment of the festival (with no witnesses).

The festival attendee I spoke to most wasn’t a YA fan, but the father of one. While his daughter was in line to get Veronica Roth’s signatures, he stood in the Sabaa Tahir line in his daughter’s place. I was put at the end of the line to give people the unfortunate news that the line had reached capacity, so I spent over half an hour talking to this guy—a father who built bridges for a living and accompanied his daughter to YA festivals. Coolest dad ever.

Now, Some Crappy Pictures

I didn’t take many photos at Yallfest because I was trying too hard to not be a geek. During the few panels I got into, however, I took some photos of horrible quality. Here you go:

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Soil-Man Release Party

soil-man coverI drove up to Northern California this weekend to tend to some personal business and, as part of a very long detour (2.5 hours each way), I went to Fresno to attend the release party for Oz Monroe’s debut novel, Soil-Man.

The event was hosted at Mia Cuppa Caffe and included dark angel-themed paintings by local artists and local musicians performing at the start and end of the night. Evidently, Oz brought the local cafe a new record for customers in one night.

As Oz intended, the event wasn’t so much for publicity as it was a celebration; a celebration of the novel’s release, of course, but also a celebration of art and love (the latter strongly reflected in friends and family gathered around).

I met Oz at the Southern California Writers’ Conference a few years ago. We didn’t talk outside of workshops and rogue critique sessions, but when we talked about writing and publishing, Oz struck me as intelligent and passionate. Both these qualities are evident in Soil-Man.

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A blurry Oz Monroe (right) at the Soil-Man Release Party.

I’ll wrap this up with the blurb on Soil-Man‘s Amazon page:

Jon Aesop, a man without religious belief, is forced to question everything when his family is tortured and killed by what appears to be an angel. Desperate to find his wife’s soul, he must survive murderous angelic forces while seeking answers to the afterlife.

Var is a freak to humanity and an abomination among angels. For centuries he’s hunted in the shadows, living a life of self-destruction, but obsessed with revenge.

What they both discover—hidden in the depths of hell—will change everything[.]

Yes, I’m a NaNoWriMo 2015 “Winner”

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I didn’t plan on participating in NaNo at the start of the month, but decided to give it a try since a crap load of people from a local writer group were doing it and seemed to be enjoying the experience. Weeks passed by and, last night, I validated my word count and became a “winner” (I guess the NaNo people sat around one day and decided that “finisher” sounded too dirty).

Coincidentally, I’d been seriously brainstorming a new novel in October so I decided to use NaNo to push myself and churn out 50,000 words for that project. The quality is pretty damn iffy, and the plotting is bumpy as hell, but I think it will serve as a good “zero draft” which I can  springboard off of to create a proper first draft.

My writing this month definitely helped to flesh out character backgrounds and personalities, and create some semblance of a plot that I can work with. I look forward to the additions and revisions to come as I try to bring the quality up to a level that doesn’t make me want to punch you in the ass.

 

Don’t Worry (or Rejoice) Just Yet, I’m Still Here

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I’ve been distracted for a while, and I’ve been busy with non-writing work for the last two weeks. Though I haven’t been writing and posting as much as I’d like, I’m definitely not throwing in the towel yet.

Novel #1: Still working on polishing the first novel. After the last revision (which, as I may have stated elsewhere, was the final major revision until I get an agent or professional editor), I sent the manuscript out to beta readers: two re-readers and five new folks; all writers. Waiting to get feedback from at least half of them before I apply some changes and make a final Hail Mary pass for traditional publishing; if no one has the hands to catch the damn ball (perfect spiral and all), I’ll finally invest in going indie by hiring an editor.

Short Stories and Breadth of Style: Starting in June, I’ve been trying my hand at short stories and have churned out a bunch of crap and several pieces which I think are pretty darn decent. For some of these, I deviated from the PG-13-esque style of writing I use in Novel #1 in favor of something darker. This came about from a mix of influences, including but not limited to: On the Road which I’m rereading for the first time since college, bits of David Foster Wallace’s Infinite Jest, and the unfiltered language of the television show Californication (Hank Moody’s writing seems a bit on the purple side, so I’m trying not to pick up too much of that).

Other Novels: I should update the “My Novels” page. The so-called Urban Fantasy novel I was outlining has changed drastically, and the original intended title no longer makes sense. I’m about 6,000 words into the first draft (i.e., “zero draft” or “junk draft”) and I’m hoping this novel will be more of an obvious high concept work than Novel #1. The superhero project is on the back burner; and I’ve gotten several thousand words into a contemporary (non-genre) novel. Notably, none of these projects are YA (whereas Novel #1 is).

1st Anniversary Post: Top Posts and the State of the Novel

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I set up camp on Wordpress a year ago to connect with other readers and writers, and establish some internet presence while I tried to get my novel published. As far as publishing goes, I totally failed, but I’ll get to that later. First, some fun blogging anniversary stuff—

The Best of A.D. Martin Posts:

Sex definitely sells—well, according to my post statistics, anyway.

Without looking too closely at all the facts, the posts which garnered the most clicks over the life of my blog—by quite a large margin—has been:

1. Two Seasons of Arrow, Seven Women for Oliver Queen; and

2. Cool-ish Actors, Annoying Characters

Pointlessly Shirtless Men of Arrow: Slade Wilson, Oliver Queen, John Diggle, and Roy Harper

Yeah, people click on these guys.

For the post about Arrow, the post seemed to have built considerable SEO which helped it to show up in Google results somewhat prominently (as I write this, if you search for “Oliver Queen” and “Women,” the post will be in the first page or two). I also noticed that not long after I made the post, someone awesome linked to it on the IMDb discussion board for the show. Thanks, anonymous person!

Aimee Teegarden

I should probably watch Teegarden’s newer stuff.

The SEO of the Arrow post aside, there is one thing these two posts have in common: attractive people. By coincidence (not by design; I wish I were that clever), the images displayed on my “Top Post & Pages” are of shirtless vigilantes and Aimee Teegarden, for the Arrow and “Cool-ish Actors” posts, respectively. I think it’s fairly safe to say that most people find Oliver Queen, Mr. Diggle and Ms. Teegarden pleasant to look upon and this seems to have played a part in giving these posts a higher view-count than my other posts.

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GoT Season 5 – Diversions, Deaths, Rebirths

I’d read somewhere that the showrunners for Game of Thrones were planning to diverge from George R.R. Martin’s books—getting away from the source material and GRRM’s plans for the novel series. Knowing this, I went into the fifth season of HBO’s Game of Thrones both dreading and anticipating David Benioff and D. B. Weiss’ changes.

The following will contain massive *SPOILERS* for the show and the novels if you’re not up to date.

Some Characters are Better Off Missing

jeynepooleThe show wrote off a number of characters, making the plot less convoluted and saving themselves the trouble of so many named characters with lines. For the most part, a lot of these characters should be glad they went missing.

In both versions, Jeyne Poole is Sansa Stark’s best bud who goes with Sansa from Winterfell to King’s Landing where both their fathers are murdered. Good times. In the show, however, that’s where Jeyne’s journey ends; she vanishes after the first season, which is probably for the best. Continue reading