WIP Progress Update 5/29/2019

Decided to try something new and start posting graphs to track the progress of my work-in-progress. This WIP, if you’re curious, is the first draft of a total re-write of a novel I’d previously completed.

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Obviously, the horizontal axis shows dates (I’m not actually sure when I started on this WIP, but the estimate should be good enough) and the vertical axis shows the number of chapters completed (I’m aiming for the first draft to have 30 chapters).

The graph looks pretty lame, so I might give it a visual overhaul someday. For now, it’ll have to suffice.

So I’ll try to post an updated graph once in a while and, hopefully, I’ll get addicted to seeing a visual representation of my progress and trick myself into writing more and more. Wish me luck, random folks.

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Typing like Carol Danvers

Well, I’ve actually been writing (my novel) a bit while I’m between projects for my day job. I’m making progress, which is a good thing, but this his how I feel about my productivity:

Captain Marvel Typing

Sorry for the mini spoiler (Captain Marvel types super slow!).

That is all.

Back in the Habit–Writing Regularly

My writing has been pretty inconsistent over the last year. I’ve used my UCLA Extension classes as a crutch, pretending I’m doing enough writing-related work so long as I fulfill the requirements of the class and get my “A’s.” However, the quantity of writing has dwindled to something that should be unacceptable to any half-serious writer.

Having come back “home,” I hope I can do better with my writing discipline; correct and stay the course. Right now, I’m sitting in one of my old writing spots, trying to use the location to trigger some kind of positive conditioning–to get myself to work. I managed to put together a few hundred words in my WIP novel before I decided to churn out this “quick” blog post. Hopefully, this is the start of more productive habits.

Wish me luck.

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Need to Change My Writing Process

Given the time it’s taking to revise my manuscripts, it’s pretty obvious my process kind of sucks. I know some writers approach their first draft as the “junk draft” so they aren’t pressured to produce a masterpiece right away, but I’ve given myself entirely too much freedom to suck.

With my first novel, some drafts actually made its way to several agent desks, but it didn’t get much further than that. A handful of agents bothered to read the MS before they realized the hooks of my first paragraphs weren’t replicated in the following chapters. According to most of my test readers, the interesting bits are in the latter half. Though it’s a fairly obvious inference, superior plotting would probably have made the thing more consistently interesting (hence my current desire to revise the whole thing).

The more I write and revise, the more I believe I should go full Plotter and stop being an unholy Plotter-Pantser hybrid. That’s to say, my novels could benefit from having the major plot points laid out from the get-go.

Anyway, I’ve been somewhat busy—with my non-writing career(s), traveling up the eastern seaboard, and spending quality time with the people in my life—but I won’t pretend I haven’t been lazy in revising my novels (e.g., I’m writing this post instead of working on the MSS). I need more discipline, and I need a new process.

Any suggestions?

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Yallwest 2016 Impressions

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After weeks of covert activities in April, I capped off the month by volunteering at Yallwest 2016 in Santa Monica. Though I put in more hours of work than any sane volunteer, and didn’t spend much time as an attendee, there was a lot of good extracted from the experience: I had the chance to be awkward next to authors who are living my dream, got a glimpse into how the event is organized, and observed the YA fandom in the wild.

First Author Sightings

When I arrived at Santa Monica High School, one of the event organizers brought me to a classroom in tucked-away corner of campus. There was a group of women seated around pushed-together desks doing what I assumed was some kind of crafting. I smiled and gave a cursory wave to them as the organizer led me to a pile of boxes where I exchanged a medium-sized volunteer shirt for a large—I should’ve known a unisex medium at a YA festival would be too small.

The organizer then gave me my first assignment: stuffing festival wristbands into envelopes for attendees. There was one free chair at the far end of the circle of women. One of the women said I could take that chair because Veronica abandoned them to do some other work. I glanced at this Veronica, who had only recently vacated the seat, and realized it was the author of the Divergent series. Rather than steal Veronica Roth’s chair, I grabbed another from the center of the room. When I sat down, I realized the woman beside me was Marie Lu, author of the Legend and The Young Elites series.

The table was surrounded with established authors.

I was one of the few unpublished people at the table (on my left was Adele Walsh, an organizer of big YA stuff in Australia and New Zealand). Not wanting to seem like a pushy fan or a desperate-to-network author, I limited my words to business matters: envelope-stuffing business.

“Can I get some more orange [wristbands]?” Thanks, Sarah Enni.

“I need some more golds.” Thanks, Veronica Roth.

Well, I did mutter a single joke under my breath at some point. Only Marie Lu heard and quietly laughed. I don’t remember what the joke was, though. For the most part, I stuffed envelopes and listened. Veronica Roth shared about how, one month after she’d gotten her pixie haircut, her mother copied her hairdo and now they walk around looking alike. Someone also brought up the supposed fact that Australian authors showed they liked you by saying mean things to you (I believe Amie Kaufman confirmed this). After Ms. Lu left to do something else (chalking?), another volunteer showed up and I someone less intimidating to chat with.

FYI, if you were an attendee and your wristbands weren’t already separated at the perforation when you got them, it’s because Veronica Roth voiced idea that you should do it yourself.

Fans (and Having Fans)

The lines for signings at Yallwest ranged from hundreds of fans to handfuls. No matter the size of the line, however, the enthusiasm people had to get their books signed was inspiring.

While I was floating around the signing area, two women (perhaps, a mother and her teen daughter) asked me for Barnabas Miller who, I admit, I’d never heard of. However, I had noticed two men sitting at a signing table get up and leave a few minutes earlier. I told the women as much and added that the men might be back.

The women left and, sure enough, one of the men returned a minute later. He wasn’t Barnabas Miller, but he was Miller’s editor and author-friend, Daniel Ehrenhaft. It was a single fan missed and disappointed, but Ehrenhaft was visibly upset. He, I assume, hit Miller up on his phone and got him to hustle back to the signing table. After ten minutes or so, while I continued my volunteer duties, Miller and his fan returned. The girl had brought a friend (and ditched her mom). They had their books signed and looked damn happy about it. It was the feel good moment of the festival (with no witnesses).

The festival attendee I spoke to most wasn’t a YA fan, but the father of one. While his daughter was in line to get Veronica Roth’s signatures, he stood in the Sabaa Tahir line in his daughter’s place. I was put at the end of the line to give people the unfortunate news that the line had reached capacity, so I spent over half an hour talking to this guy—a father who built bridges for a living and accompanied his daughter to YA festivals. Coolest dad ever.

Now, Some Crappy Pictures

I didn’t take many photos at Yallfest because I was trying too hard to not be a geek. During the few panels I got into, however, I took some photos of horrible quality. Here you go:

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Soil-Man Release Party

soil-man coverI drove up to Northern California this weekend to tend to some personal business and, as part of a very long detour (2.5 hours each way), I went to Fresno to attend the release party for Oz Monroe’s debut novel, Soil-Man.

The event was hosted at Mia Cuppa Caffe and included dark angel-themed paintings by local artists and local musicians performing at the start and end of the night. Evidently, Oz brought the local cafe a new record for customers in one night.

As Oz intended, the event wasn’t so much for publicity as it was a celebration; a celebration of the novel’s release, of course, but also a celebration of art and love (the latter strongly reflected in friends and family gathered around).

I met Oz at the Southern California Writers’ Conference a few years ago. We didn’t talk outside of workshops and rogue critique sessions, but when we talked about writing and publishing, Oz struck me as intelligent and passionate. Both these qualities are evident in Soil-Man.

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A blurry Oz Monroe (right) at the Soil-Man Release Party.

I’ll wrap this up with the blurb on Soil-Man‘s Amazon page:

Jon Aesop, a man without religious belief, is forced to question everything when his family is tortured and killed by what appears to be an angel. Desperate to find his wife’s soul, he must survive murderous angelic forces while seeking answers to the afterlife.

Var is a freak to humanity and an abomination among angels. For centuries he’s hunted in the shadows, living a life of self-destruction, but obsessed with revenge.

What they both discover—hidden in the depths of hell—will change everything[.]

Yes, I’m a NaNoWriMo 2015 “Winner”

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I didn’t plan on participating in NaNo at the start of the month, but decided to give it a try since a crap load of people from a local writer group were doing it and seemed to be enjoying the experience. Weeks passed by and, last night, I validated my word count and became a “winner” (I guess the NaNo people sat around one day and decided that “finisher” sounded too dirty).

Coincidentally, I’d been seriously brainstorming a new novel in October so I decided to use NaNo to push myself and churn out 50,000 words for that project. The quality is pretty damn iffy, and the plotting is bumpy as hell, but I think it will serve as a good “zero draft” which I can  springboard off of to create a proper first draft.

My writing this month definitely helped to flesh out character backgrounds and personalities, and create some semblance of a plot that I can work with. I look forward to the additions and revisions to come as I try to bring the quality up to a level that doesn’t make me want to punch you in the ass.